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The success of films belonging to the "Commedia all'italiana" genre is due both to the presence of an entire generation of great actors, who knew how to masterfully embody the vices and virtues, and the attempts at emancipation but also the vulgarities of the Italians of the time, both to the careful work of directors, storytellers and screenwriters, who invented a real genre, with essentially new connotations, managing to find precious material for their cinematographic creations in the folds of a rapid evolution with many contradictions.
Among the actors the main representatives are Alberto Sordi, Ugo Tognazzi, Vittorio Gassman, Marcello Mastroianni and Nino Manfredi, while among the actresses is Monica Vitti. Among directors and films, in 1961 Dino Risi directed Una vita difficile (A Difficult Life), then Il Sorpasso (The Easy Life), now a cult-movie, followed by: I Mostri (The Monsters, also known as 15 From Rome), In nome del popolo italiano (In the Name of the Italian People) and Profumo di donna (Scent of a Woman). Monicelli's works include La grande guerra (The Great War), I compagni (The Organizer), L'armata Brancaleone, Vogliamo i colonnelli (We Want the Colonels), Romanzo popolare (Come Home and Meet My Wife) and the Amici miei (My Friends) series.
During this time, commedia sexy all'italiana films, described by the film critics of the time as not artistic or "trash films", were very popular in Italy. Today they are widely re-evaluated and have become real cult movies. They also allowed the producers of Italian cinema to have enough revenue to produce successful artistic films. These comedy films were of little artistic value and reached their popularity by confronting Italian social taboos, most notably in the sexual sphere. Actors such as Lando Buzzanca, Lino Banfi, Renzo Montagnani, Alvaro Vitali, Gloria Guida, Barbara Bouchet and Edwige Fenech owe much of their popularity to these films. 2b1af7f3a8